SEE MILOŠ LIVE

Following numerous sold-out performances and named among the six greatest classical guitarists of all time by BBC Music Magazine, world-renowned classical guitarist MILOŠ returns to Cadogan Hall for a much-anticipated intimate evening of acoustic music.

Celebrated globally for his mastery, MILOŠ has captivated audiences and earned numerous awards throughout his illustrious career. This special performance will showcase selections from his acclaimed 2023 album Baroque and a collection of his personal favourites, introduced from the stage.

This is a rare and personal insight into the artistry of one of the most revered figures in classical music today.

Call him the classical guitarist of our time, the Montenegro-born Miloš Karadaglić. Impressive technique, expressive playing style – a virtuoso with almost pop star status. He now transforms works by famous Baroque composers such as Handel, Vivaldi, Rameau and Purcell for guitar and ensemble. Well-known music, but in a new guise. His musical efforts have already led to recording contracts with Sony and Deutsche Grammophon.

Music from a Spanish fandango by Boccherini to the gentle lyricism of Purcell’s The Fairy Queen . From contemplative sounds from Rameau’s Les Boréades to a lively concerto grosso by Handel. The English baroque ensemble Arcangelo was founded in 2010. In a short time, it built up an impressive discography and was showered with prizes. The collaboration with MILOŠ is a golden opportunity and will certainly lead to the necessary awards again.

Familiar with the greatest concert halls and curious to explore very broad repertoires, guitarist Miloš has teamed up with the formidable Arcangelo ensemble, and its conductor Jonathan Cohen (already well known at the OPRL!), for a dive into the heart of the baroque. Starting with a transcription of Bach’s Chaconne , the cornerstone of the program, he travels across countries, from Rameau to Vivaldi, from Purcell to Boccherini, alone or accompanied. The opportunity to revisit some great contrasting hits and the chiaroscuro of the baroque, seen through the expressive prism of the guitar, thanks to the charisma of one of its most prominent representatives.